The Guggenheim’s first online art exhibit, the Azone Futures Market, is super educational. Here’s what I learned from using it: There are way too many techno-optimists out there. And tech investors are a few of them. Although they may be privy to information the public doesn’t readily have, they, too, can make a bad investment based on how good a technology looks on paper.
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A bunch of rebellious digital artists make up a chunk of Parsons’s Parisian faculty.
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